Hans-Werner Kroesinger | Germany
After 9/11, security has become one of the main topics of the 21st century. Today, Germany and Europe are no longer just being defended in Afghanistan, but also in the Mediterranean. In order to manage borders and control the movement of migrants effectively, the EU has founded an agency called Frontex, which makes it extremely difficult for asylum seekers to even reach Europe. Hans-Werner Kroesinger, a grandmaster of documentary theatre, places the work of Frontex in a historical context and traces the many branches and offshoots of a growing industry that “only follows orders from above”. Nowadays, we are supposed to make a distinction between “economic migrants” and “political asylum seekers” in order to separate the deserving from the undeserving cases. During the second half of the evening, the audience is invited backstage, where they sit in the glistening light of Lampedusa and watch the actors playing “battleship”. Is security only valid when it focuses inwardly, but not when it aids the refugees seeking help? What do you think would happen if we opened up the borders?
Regie: Hans-Werner Kroesinger | mit: Judica Albrecht, Sina Martens, Lajos Talamonti, Armin Wieser | Gesang: Yuka Yanagihara | Bühne / Kostüme: Valerie von Stillfried | Sound / Musik: Daniel Dorsch |
Licht: Thomas Schmidt | Dramaturgie / Recherche: Regine Dura | Mitarbeit Bühne: Dominik von Stillfried | Assistenz Regie: Gregor Schuster | Assistenz Bühne: Arianne Vitale Cardoso | Produktionsleitung: Lena Mody, Maria Kusche
Produktion: Hans-Werner Kroesinger; Koproduktion: HAU Hebbel am Ufer; Gefördert durch den Regierenden Bürgermeister von Berlin – Senatskanzlei – Kulturelle Angelegenheiten
Das Gastspiel wird gefördert durch die Kulturverwaltung des Landes Berlin